My Art Therapy Philosophy
1. How did I discover and pursue the field of art
therapy?
My first
exposure was in 1981, when curiosity drew me to a weekend seminar on Jungian
Art Therapy at Sonoma State University. I
experienced firsthand the strength of art as therapy in revealing the hidden
and powerful parts of myself. Something
clicked inside of me during my experience, pointing to my future.
It was to
be ten years before I acted on this dream, however. I patiently observed art therapy's slow move
towards being viewed as a respected and recognized career. Then, when family responsibilities eased up
and the time was right, I applied for and was accepted into the College of
Notre Dame's Masters in Art Therapy Program.
I took a pre-master's art therapist intern position under Al Friedman at
the Center for Youth here at the hospital in '93 and '94.
Art therapy
provides a holding environment for emotionally disturbed adolescents to express
themselves in a safe environment. For
ten months I observed adolescents at the
hospital scribble out frustrations connected to hormonal changes and their
mental illness. I witnessed them paint raw feelings of the pain of losing
family and being institutionalized. I
helped them collage and map inner body parts from life-sized body tracings; the
art clearly identified the body areas where abuse and violations took place. I
watched young clients shape clay into the forms of their own haunting inner
demons, put color to feelings of rage and helplessness connected to their
abuse, use pastel chalks to sketch out the delicate butterflies of their
fragile hope. The experience was sometimes frightening--and sometimes
wonderful. I learned that I could not
cure them, but I could supply tools of communication, and be a force of caring
that might support a change in their perception of a cruel to caring world.
After
graduating in 1994, I took a post masters position as art therapy intern under
Louise Salant at the Veterans Home in Yountville, to accrue hours for my
ATR--Art
Therapy Registration. Working with
disabled seniors, some of who suffered from mental illness, was challenging and
rewarding work. My Yountville experience
led me to be hired by three junior colleges to teach art classes to disabled
seniors. I did this for two years, while
waiting patiently for full-time art therapist positions to open up. I then
applied and was hired at Napa in September 1997.
2. Population at Napa State Hospital
A. I worked in
Program One, Unit T7, at Napa State Hospital with developmentally disabled,
adult male sex offenders with forensic backgrounds. Many of the clients’
placements there were an alternative to jail, to become competent to stand trial
for their crimes; some would never achieve this due to their developmental
disability. Certain clients had speech impediments and difficulty
verbalizing and being understood. With
this population the problems included aggressive behavior, obsessive compulsive
disorder, borderline personality disorder, impulse control. Their crimes included rape, incest, child
sexual abuse, voyeurism, public exposure, foot fetishism, assault and battery,
grand theft, and sexual perpetration or victimization. I primarily used art therapy in the context of
treatment for the clients’sex offenses and substance abuse addictions; as a
support to verbal processing.
3. Goals of Art Therapy for clients in forensic
settings include opportunities to:
--break
through client denial and offer a non-threatening means of
getting information from the client
--provide
immediate gratification and control over environment as well as opportunity to
safely explore and alter feelings and fantasies.
--explore
and select socially acceptable behaviors as alternatives to substance abuse,
violence or sex offender behavior.
--use art
therapy in the context of the clients’sex offenses and substance abuse
addictions, as a support to verbal processing.
--experience
a holding environment which can make pain bearable, and allow progress and
growth to proceed.
--genuinely
express feelings and attitudes
--self-express
in a socially acceptable manner--leading to increased self-awareness.
--solve
inner conflicts through inner work.
--reveal/understand
client's own personal past history; putting behavior in a larger
context, so
as to increase understanding of need to change.
--experience
a less threatening avenue of expression than verbal therapy.
for
perpetrators, art therapy can be a work
through the internalized abuse and
compensatory
mechanism of identifying with the perpetrator.
--embark
upon a meaningful relationship with self and art therapist, thus enriching the quality
of life of each.
4. Example of an Art Therapy Interventions
Focus
interventions on enlarging a part of an art therapy painting, to get inside the
symbol, to touch the deeper core of the problem. Ask, "Can you take this symbol here,
open it up, make it bigger, and show me what's inside? Do another painting of just that thing. Now, open that one up, make it larger, and
show me what's inside that one." What
can be revealed are deep, hidden feelings, which, once shared, have less of a
charge or control over the client's behavior.
5. What is my philosophy of art therapy?
Tolstoy
said, "Art and only art can cause violence to be set aside.”
A major
factor in the placing of clients at Napa State Hospital is the inability of the
client to control behavior, thus becoming a danger both to self and to others.
The client is separated from the community through the consequence of
his violent or out of control actions, and lacks the cultural controls over
self that are necessary to interact safely in society. This issue of safety
--of client and community--must be addressed first and foremost, at any
psychiatric or forensic institution.
6. What are the benefits and applications of art
therapy?
--Art
therapy can increase the safety of both client and staff. Violent and mentally
disturbed
patients in forensic settings such as NSH can find artmaking a valuable tool for
making peace-first with self, then community. It can be a tool that mirrors antecedent
behaviors to oncoming violent behavior, a window on monitoring the emotional
states of the client; a recidivism predictor--potential for dangerous behavior.
--Art
therapy can support the existing diagnoses and alert staff to changes.
--Pre/post
art therapy intervention testing can measure client's general progression of
wellness and improvement over time. Outcome measured by behavior changes in
client over time.
--Art as a
second language that communicates a variety of information about client
through the
creative process.
--May be a
tool in revealing/supporting developmental disorders/delays in client.
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